Weird Studies/The Shining

29 Apr 2026 - 02 Jun 2026
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    • Kubrick's films all about systems, seeing the human from the outside...the Real, which is teeming with intention and desire.
    • Vacancy of Kubrick's POV – not coldness – the architecture of Being.
    • Overlook as main character – a container (?) Kubick POV in uncomfortable, contrast with Speilberg empathy. Not a human perspective – pre-alienated – the human disappears, the viewer is non-human while watching. Not that there is no perspective, but it is a different one.
    • Closing shot denies time.
    • nondualism? "We're not trying to photograph reality, we're trying to photograph a photograph of reality". The subjectivity is always folded in, producing objectivity in the nondual sense. Subjectivity always involved (Yes) and makes viewing uncomfortable.
    • images presented as images, making it impossible to ignore that you yourself are an image...
    • Manikin fight in Killer's Kiss – ghosts –
    • A flat ontological level – immanence – we are all ghosts – not matter, images – relates to Deleuze and brutalism
    • Kube-briek, ha ha. Kubrick's cuts are very visible (brutal). Symmetric framing conveys stageyness. Kubick's "non-submersible units". Every part has to work alone (opposite of C Alexander? Evil twin?)
    • Jack's descent into TV cliches