Weird Studies/Fall of the House of Usher

06 Aug 2022 - 27 Nov 2022
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    • Every Poe story is an abyss whose shape is the story itself (forget who and paraphrased)
    • Personal aside: while I've read Poe, my initial image of him is from the game of Authors and a MAD Magazine bit, this isn't quite it
      • A tribute to Edgar Allen Poe (sung to the tune of "There's No Business Like Show Business")
      • There's no stories like Poe stories like no stories we know, If you like a tale that is appalling, If you like to murmur, shriek, and cry, If you like a tale with bodies falling, and spirits calling, Then Poe's your guy!
      • There's no people like Poe people, they all fill us with woe, If you like a tale that's filled with death galore, And spirits tapping upon your door, And some crazy raven shouting "Nevermore", There's no writer like Poe!
    • I have said that the sole effect of my somewhat childish experiment --that of looking down within the  --had been to deepen the first singular impression. There can be no doubt that the consciousness of the rapid increase of my superstition --for why should I not so term it? --served mainly to accelerate the increase itself. Such, I have long known, is the  law of all sentiments having terror as a basis.
    • Wow that is good. Just causually being extremely meta, noting dryly how terror recursively feeds on itself. Haven't listened to the podcast yet but I can guess what they are going to say, that this text has a kind of magickal causality, it does things to you, it draws you into its world and stance towards the world.
    • Many books and musical instruments lay scattered about, but failed to give any vitality to the scene.
    • It me!
    • His voice varied rapidly from a tremulous indecision (when the animal spirits seemed utterly in ) to that species of energetic concision --that abrupt, weighty, unhurried, and hollow-sounding enunciation --that leaden, self-balanced and perfectly modulated guttural utterance, which may be observed in the lost drunkard, or the irreclaimable eater of opium, during the periods of his most intense excitement.
    • It also me.
    • And thus, as a closer and still intimacy admitted me more unreservedly into the recesses of his spirit, the more bitterly did I perceive the futility of all attempt at cheering a mind from which darkness, as if an inherent positive quality, poured forth upon all objects of the moral and physical universe, in one unceasing radiation of gloom.
    • Some of the description of Usher (obsessed with music and radiating a certain disturbing energy) made it seem like a negative of the music master in GBG.
    • This opinion, in its general form, was that of the sentience of all vegetable things. But, in his disordered fancy, the idea had assumed a more daring character, and trespassed, under certain conditions, upon the kingdom of inorganization.
    • That's a cool phrase, "the kingdom of inorganization". A kingdom without a king I guess, mere anarchy and not the good kind.
    • The podcast

      • The decaying stones in a persistant (strong) structure, works as description of the house and of the story itself.
      • Some connections to their obsession with spirals vs flat circles, aka emergence, holism. Starts to get my hackles up, but didn't go very far.
        • Why exactly? "Emergence" is wonderful but people who talk about it as such (rather than any particular form of it) are either dumb or salesmen for something.
      • The trope of the decayed house...hm, reminds me of Sopranos opening. Decadence, awareness of decadence.