In this class, we consider how we might encounter the divine (in whatever guise) as it manifests in exotica music, professional wrestling, avant-garde Happenings, and other cultural forms. And we will consider the all-important pro-wrestling principle of kayfabe: maintaining and protecting the Inside of a divine encounter from a hostile and uncomprehending Outside.
The Otherworld is always imagined as beginning at the edge of our known world....Scientism recognizes no Otherworld, but, as I intimated in my 'little history of daimons', daimonic reality has a way of subverting it. Thus scientism constructs its own literal versions of a transcendent and and immanent Otherworld. The former appears in the weird models of the universe articulated by astronomers and cosmologists; the latter appears in the speculations of nuclear physicists.
The subtaomic Otherworld has its own elegance and a certain stark beauty, as the physicists are keen on emphasizing; but iut is grey and meaningless compared to the world William Blake saw in a grain of sand.
the Zone is usually a singular, often unmoving place of anomalous materiality. Importantly distinct from magical phenomena themselves, “[t]he zone is the region, spatial or temporal or both in which the phenomena may occur;” it is an “‘order’ that is outside order.”
Indeed, it is my contention that Zones are instances where the noumenal mixes with the phenomenal; where the Outside intrudes on the Inside. The beaches of Kant’s Island of Reason are littered with constantly evolving and changing tide pools.
systematization and standardization of the human experience in the understandable world of the phenomenal is our treasured Inside...Furthermore, this set of rules that organize our experience of space and time “consistently and predictably” produce a homogeneity, a sameness that determines what Amy Ireland calls our “anthropomorphic regime.” Such a regime, she goes on, creates a sense of normalcy and harmony amongst us insofar as everything is “ordered, familiar, comfortable, and homely.”
Through the fabulations of fantasy, we test the Real, sounding its depths and learning, again and again, that there is more to this universe than any dogmatic con- strual would allow.
Unfortunately, getting any of it to work will require one thing that no book can give you, ... This is the seriousness that is integral to real imaginal play. In magic, you play for keeps or don’t play at all.
From JF Martel : Magic, Science, Religion and the Scope of Rationality
14:47:36 From Dylan Burns : The psychologist Nathan Schwartz Salant used an image of a [[Klein bottle]] (3D version of moebius strip) to describe the therapeutic encounter. Both parties are in the bottle and in participation, and both are outside it, reflecting on it.
If Weird Studies has an overarching theme, it may be the hunch that the fundamental principle of reality is neither inert matter nor pristine mind, but pure event—that is to say, drama, story, poesy, act. There is perhaps no better way into this thought space than with the philosopher Nick Land’s *hyperstition, *the notion that certain subjective imaginings can, in time, become objective realities.
We will argue that by embracing hyperstition, one can make life a transformative process on the cosmic scale, a sacrament that leaves nothing unaltered, not even the remotest star.