• AMMDI is an open-notebook hypertext writing experiment, authored by Mike Travers aka @mtraven. It's a work in progress and some parts are more polished than others. Comments welcome! More.
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from Weird Studies/Charles Taylor and Disenchantment
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Making of a Counter-Culture

08 May 2021 08:09 - 01 Jan 2022 07:48

    • The Making of a Counter Culture: Reflections on the Technocratic Society and Its Youthful Opposition by Theodore Roszak
    • The quotes below really highlight for me how much Rationalism is a reactionary movement against sixties romanticism. That doesn't make it wrong – there were plenty of reasons to turn against that stuff – but explains a bit its cultural and political penumbra.
    • Thus, if we probe the technocracy in search of the peculiar power it holds over us, we arrive at the myth of objective consciousness. There is but one way of gaining access to reality-so the myth holds-and this is to cultivate a state of consciousness cleansed of all subjective distortion, all personal involvement. What flows from this state of consciousness qualifies as knowledge, and nothing else does. This is the bedrock on which the natural sciences have built; and under their spell all fields of knowledge strive to become scientific. The study of man in his social, political, economic, psychological, historical aspects-all this, too, must become objective: rigorously, painstakingly objective. At every level of human experience, would-be scientists come forward to endorse the myth of objective consciousness, thus certifying themselves as experts. (p208)
    • Such, at least, is what I propose here, though it would be pointless to press any further the purely semantic question of whether or not objective consciousness meets all the requirements of a "mythology." What is essential here is the contention that objective consciousness is emphatically not some manner of definitive, transcultural development whose cogency derives from the fact that it is uniquely in touch with the truth. Rather, like a mythology, it is an arbitrary construct in which a given society in a given historical situation has invested its sense of meaningfulness and value. And so, like any mythology, it can be gotten round and called into question by cultural movements which find meaning and value elsewhere. In the case of the counter culture, then, we have a movement which has turned from objective consciousness as if from a place inhabited by plague-and in the moment of that turning, one can just begin to see an entire episode of our cultural history, the great age of science and technology which began with the Enlightenment, standing revealed in all its quaintly arbitrary, often absurd, and all too painfully unbalanced aspects. (p215)